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  • Debra McCoskey-Reisert remembers her brother, Bobby McCoskey, who died from COVID. Bobby loved the song "Closing Time" by Semisonic, because they played it at dances he attended.
  • NPR's Emily Feng talks with reproductive rights lawyer Kim Mutcherson about how restrictive abortion laws would be enforced if Roe v. Wade is overturned or weakened.
  • State Secretary Antony Blinken is focusing on food security in a visit to the UN. He's also seeing Turkey's foreign minister, likely talking about its stance on NATO membership for Finland and Sweden.
  • The Dow fell by more than 1,000 points as retailers' earnings reports reflected difficulty navigating higher prices and supply chain bottlenecks.
  • Writer Dorothy Parker gave her estate -- including proceeds from her papers -- to the NAACP. But literary executor Lillian Hellman made access to Parker's work difficult. Marion Meade tells the story in Bookforum Magazine, and discusses it with Scott Simon.
  • Brazilian oil company Petrobras officially opens its latest deep-water oil platform. The new rig is expected to end decades of Brazilian dependence on foreign oil, and protect the country's economy from oil-price shocks.
  • There are some ambitious plans to get many of the tens of thousands of homeless in Los Angeles County off the streets and into homes far away from the downtown area known as Skid Row. But many cities say they're already doing their part.
  • Composer Edgar Meyer's self-titled CD takes advantage of his many talents. Jacki Lyden visits Philadelphia's Curtis Institute of Music, where Meyer also finds time to teach, for a conversation with a musical master.
  • Police fire on protesters in Katmandu, capital of Nepal. The demonstrators violated a curfew and marched on the palace of King Gyanendra. For many protesters, the king's vow to move to a multiparty government is not enough.
  • Alan Furst has a new historical spy novel called The Foreign Correspondent. His first one, Night Soldiers, came out in 1988, and he's written eight more since then. Critic at large John Powers, who says he always snaps up a new one, explains Furst's appeal.
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