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Songwriter Annie Clark, who records under the name St. Vincent, is known for combining prodigious guitar technique with cinematic, orchestral pop. But on her new album, Actor, she actually turned to films for inspiration.

Asleep In The Bread Aisle is the latest release from rapper Asher Roth, who grew up white in the suburbs. Roth says he hopes his work — as well as the person he happens to be — will challenge the hip-hop community.

A full decade after his landmark album Play, techno musician Moby has released an album called Wait for Me. Music critic Robert Christgau thinks it's almost worthy of its great predecessor.

NPR's Melissa Block talks with producer Randall Poster and historian Sean Wilentz about a new collection of music. Poster brought together stars and legends spanning many genres and generations to commemorate the 150th anniversary of the Civil War.

Rock critic and Fresh Air regular Ken Tucker joins the show to review Wussy, the self-titled third album from the Cincinnati, Ohio quartet.

The experimental rock band based in New York draws on early vocal music, modern soul and other sources, defying categorization in the process. According to critic Will Hermes, the band's new album, Bitte Orca, is a breakthrough.

U.K. musician Natasha Khan, better known as Bat For Lashes, uses a fusion of keyboards and harps to generate tribal beats and electronica. She speaks on the uncommon sounds and ideas behind her acclaimed new album, Two Suns.

Critic Tom Manoff reviews a new recording of Rachmaninov's preludes by pianist Steven Osborne, who opts for innocence over opulence, giving each of the 24 preludes its own distinct and compelling character.

Christiana Hospital in Delaware has two Moxi cobots making the rounds.

The survey from Gallup shows that in 2021 people were feeling more negative than any year before.