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  • Tia Fuller composes for both saxophone and flute. She says her latest album, Healing Space, is a manifestation of her spirituality. It's also a testament to the bonds of a musical family.
  • Ralph Covert says the key to writing songs for children is to forget that you're writing for children. The indie rocker turned musician for the smaller set discusses his latest CD, Welcome Ralph's World.
  • In his new album, 12 Segundos de Oscuridad — Twelve Seconds of Darkness"-- Oscar-winning musician Jorge Drexler explores the path that darkness can illuminate.
  • Conor Oberst, lead singer of Bright Eyes, captured public attention as a protest singer with artistic ambitions. At 27, he seems to have mellowed. "Make a Plan to Love Me" is a gentle throwback to the '60s.
  • Saxophonist Sonny Rollins has outlasted many of the jazz greats he played with. At age 76, he's now jazz's elder statesman, crossing another milestone in his 65-year career with a new CD, Sonny, Please, a new record label and a Web site.
  • Singer, musician and folklorist Mick Moloney's album, McNally's Row of Flats, centers on theater songs by an Irish songwriting team from the late 1800s. The team consisted of actor and writer Ed Harrigan and musician David Braham, both acclaimed performers of the early Great White Way.
  • A new CD features a unique musical combination from Ghana: drums, singing, bells and squeeze-bulb horns. The band members are taxi and truck drivers, and their music, por por, is named after the sound their horns make.
  • The Stooges rock band, led by singer Iggy Pop, have just released their first album in almost 35 years. It's called The Weirdness.
  • Brazilian singer Ceu loves soul, jazz, hip-hop and afro-pop. And those influences are apparent on her new self-titled CD. But the foundation underlying it all is the Brazilian samba. "It's what sticks to the soles of my feet, " she says.
  • It's a truism that the drum is the heart and soul of African music. But not so fast: Over the past century, guitarists have redefined the sound of the continent. Two new releases, by Zimbabwean guitarist Louis Mhlanga and a Toronto-based group called the African Guitar Summit, prove that.
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