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Two Austin musical institutions — Willie Nelson and Asleep at the Wheel — have teamed up on a new album to showcase classic western swing. With horns, fiddles and a pedal steel guitar, the music takes Nelson back to his roots. The project has been in the works for a while, having hatched from the mind of the great Jerry Wexler more than 30 years ago.

Faithfull's latest album, Easy Come, Easy Go, covers more ground than ever before. The veteran singer interprets songs by Randy Newman, The Decemberists, Dolly Parton and many others. To her, recording a cover is more about expressing the song than trying to emulate the original.

Despite a constant flood of new music, people still like to insist it was all better in times past. But Marianne Faithfull, who has survived a bunch of musical decades, recognizes that right now is a golden era of its own. Her new record, Easy Come, Easy Go, is all covers, but alongside old standards are what might be some new staples.

For those who think all Cajun music sounds exactly the same, a new CD tries to dispel that pervasive and dangerous myth. Christine Balfa Plays the Triangle offers up nearly an hour of triangle solos, performed by a woman with an impeccable Cajun pedigree.

There's still a shortage of child care teachers and that's keeping parents out of the workforce. Dozens of states are trying to lure back providers and lower costs for families.

The keyboard player for The Faces and The Small Faces talks about playing snooker and skittle, making deals with Mick Jagger and how a broken-down van helped jump start his career.

April 14 marks the 250th anniversary of the composer's death. In honor of the occasion, two preeminent Handel musicians explain why the music remains as popular as ever with both performers and audiences.

American Idol winner Kelly Clarkson has released All I Ever Wanted, her fourth album. Rock critic Ken Tucker has a review.

Eva Ayllon is sometimes called Peru's Tina Turner. On Kimba Fa, the 30-year veteran takes all sorts of liberties with Afro-Peruvian music, adding in piano and sometimes a brass section, as well as jazz harmony and ideas from other Afro Latin styles.

After being barred from performing at Constitution Hall in 1939 because she was black, opera singer Marian Anderson gave a performance on the steps of the Lincoln Memorial. Author Raymond Arsenault's new book, The Sound of Freedom, reflects on the cultural significance of Anderson's performance that Easter.