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On the 400th anniversary of the birth of John Milton, fans around the world are celebrating with literary events, exhibits and readings of Milton's famous epic poem, Paradise Lost.

One of the best years for kids' music in recent memory includes releases from artists with feet firmly in both kid-friendly and adult-oriented worlds. Old favorites went in new directions, while emerging artists gave a glimpse of the future of a genre as diverse and unpredictable as kids themselves.

Last spring on its MySpace page, the Brooklyn experimental rock band Parts & Labor asked fans to send sound samples to put on the group's new album. Parts & Labor used every single one, often blurring the line between instruments and samples.

This past summer, you might have found it impossible to avoid the string-saturated "Viva La Vida" by Coldplay. Guitarist Joe Satriani thinks it sounds remarkably similar to his 2004 song "If I Could Fly" and has sued for copyright infringement.

On their first recording together in more than 50 years, saxophonist James Moody and pianist Hank Jones show that the elder statesmen of jazz can still play beautifully. Our Delight displays the golden virtues of jazz with warmth and grace.

Singer Emmylou Harris says a 33-year-old housewife named Kitty Wells turned both country music and the country on its head with "It Wasn't God Who Made Honky Tonk Angels." With that song, Wells captured the tensions of the time and paved the way for more female musicians.

American composer Elliott Carter celebrates his 100th birthday this month, and three new CDs have been released in honor of the occasion. Fresh Air's classical music critic has a review.

Rock critic Ken Tucker offers up his top 10 lists of the best albums and singles of 2008.music. Here's his look at some of his own favorites.

Classical music critic Lloyd Schwartz reviews a new CD of Scott Wheeler's opera, based on a hymn to Boston by the New York poet Kenneth Koch. The disc captures a live performance by the Boston Cecilia choral society.

McCartney and Youth returned to work as The Fireman for their third and latest release together, Electric Arguments. McCartney entered the studio, without any material, and recorded 13 songs in 13 days. The legendary artist reveals how his alter ego allows him the freedom to experiment.