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  • The third album from the William Parker Quartet is named Petit Oiseau, after a character in a poem written by Parker. Jazz critic Kevin Whitehead assesses whether the album — whose French title translates to "Little Bird" — takes flight.
  • The composer discusses his new 10-CD collection, the appeal of his "needle-stuck-in-the-groove music," growing up in Baltimore and his love for science.
  • Mick Jones, former lead guitarist of The Clash, and Tony James, once of the Billy Idol-fronted Generation X, promoted their latest project by giving music away on the Web. They released their first CD in January.
  • For WNYC's Soundcheck host John Schaefer, the best classical music of the year came not from new releases, but from the news in the classical music world. The biggest story was the New York Philharmonic's performance in Pyongyang, North Korea.
  • She's best known for her electronica-tinged approach to Middle Eastern music. But for her latest release, Atlas takes an all-acoustic approach to folk songs from around the globe, from the Arab world to Appalachia.
  • When pop stars collaborated with African musicians in the 1980s and '90s, they embraced sounds once heard as foreign and exotic. Now a new generation of American musicians is creating homegrown rock music with a West African twist.
  • A genre-bending indie-rock band with a bluesy twang and country-fried riffs, Blitzen Trapper wears its influences proudly. The group's latest album, Furr, has been a favorite of critics, who've placed it on many "Best of 2008" lists.
  • For a musician, essential tremor disorder can be devastating. The disease affects fine motor coordination, causing hands to shake. But guitarist Richard Crandell has found a new way to continue composing and performing.
  • Justin Townes Earle went into the same business as his father, country-rock singer-songwriter Steve Earle, who taught his son a lot about rebellion and making music. Together, they talk about the parallels between their lives growing up.
  • When musician Max Raabe arrived in Berlin in the mid-'80s, he was expecting to find the cabarets and variety theaters his grandmother told him about, but they were long gone. He decided to create his own orchestra, dedicated to performing the elegant dance hits of the '20s and '30s in their original arrangements.
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