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  • Sharon Stone returns as a gorgeous novelist (and apparent psychopath) in a sequel to her 1992 smash hit Basic Instinct. This time, she's matching wits and sexual techniques with British actor David Morrissey instead of Michael Douglas. David Edelstein has a review.
  • At the turn of the century, some called San Francisco the Paris of the West. The 1906 earthquake leveled most of the city's theaters and artists' haunts. But the arts community rebounded to lead the city's recovery.
  • Natalie Portman stars in the new movie V for Vendetta. She says the project interested her because of its subversive and provocative ideas questioning such modern-day labels as "terrorist."
  • Rock historian Ed Ward reviews Talking Heads Brick, a box set of music and DVDs featuring the David Byrne-fronted band.
  • Just about every successful rock band seems to have a side project these days. This month, an unlikely spinoff of the jam trio Medeski, Martin and Wood arrives -- a family affair known as the Wood Brothers. The duo's first CD is called Ways Not To Lose.
  • In the age of the sampler, three innovative guitar players are taking their instruments to new heights: Richard Leo Johnson, Dominic Frasca, and Jonas Hellborg. Johnson taught himself 12-string guitar. Frasca has translated the music of Steve Reich and Philip Glass. And Sweden's Hellborg leads his own trio.
  • Historian Julian Zelizer argues Biden should “promote policies that address racism in policing, sentencing and prisons because it is the right thing to do,” even though it may be unpopular.
  • Singer, songwriter and guitarist Charlie Sexton burst out of Texas in 1985 with the hit, "Beat's so Lonely." He spent the next two decades working with veteran musicians such as the Rolling Stones' Keith Richards and Ron Wood and Bob Dylan. Sexton's latest CD is titled "Cruel and Gentle Things."
  • How do we perceive time? How do we form and retrieve memories? Alain de Botton, author of How Proust Can Change Your Life, tells Linda Wertheimer how the French novelist might answer such philosophical questions.
  • The Academic Film Archive is working with the Library of Congress to make a worldwide database of all the old educational movies it can find. And in St. Louis, in an effort to preserve these classic 16-mm movies, a group is holding monthly screenings of films like The Living Soil, which was produced by Shell Oil Company in the 1960s to extol the virtues of pesticides. Matt Sepic of member station KWMU reports.
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