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  • The latest issue of The Paris Review is the first for a new editor, Philip Gourevitch. Some former editors say the quarterly is no longer loyal to the vision of its founder, the late George Plimpton.
  • NPR's Adrian Florido chats with New York Times reporter Stephanie Nolen about how U.S. hospitals are relying on global recruitment to address staff shortages.
  • Secretary of State Antony Blinken heads out on an Asia swing this week to reinforce the administration's continued focus on competition with China despite the crisis in Ukraine.
  • President Biden said he would fire anyone who was a jerk at work. But that's not what happened when his science adviser Eric Lander was found to have created a toxic workplace.
  • The Tate Modern Art Gallery in London is celebrating its fifth birthday. It is also celebrating its success in becoming the world's most popular modern art museum, attracting four million visitors a year. More than 60 percent of the Tate's visitors are under 35.
  • Azaria is also currently starring in the Broadway production of Spamalot the musical version of Monty Python and the Holy Grail. He along with Tim Curry has been nominated for a Tony. He also stars in the Showtime series Huff, about an urban psychiatrist with troubles of his own. Azaria does the voices of Apu the convenience store owner and Moe the bartender, among others, on The Simpsons. This interview was originally broadcast on Dec. 6, 2004.
  • Weekend Edition classics commentator Elaine Fantham talks about law and order in ancient Rome and Greece.
  • Academy Award-winning film editor Thelma Schoonmaker has edited every one of Martin Scorsese's movies, from Raging Bull to The Aviator. Schoonmaker has had a front-row seat to see how film editing has changed over the past 30 years.
  • The new movie Batman Begins. follows the trend of many other recent comic book based movies; it delves into the psychology of the main character. This prequel to other films in the Batman franchise explains how Bruce Wayne became Batman.
  • Rock critic Ken Tucker reviews the new documentary Rock School. The film depicts the real-life school of rock in Philadelphia.
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