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From the late '70s to the early '90s, the zany dance-rock outfit did the "Rock Lobster," had its own "Private Idaho" and got together at the "Love Shack." Now, the band has produced Funplex — its first new album in 16 years.

Olivia Newton-John was one of the biggest pop stars in the 1970s and early 1980s. In the movie musical Grease, she starred as good girl Sandy Olson, who falls for a bad boy played by John Travolta.

In the early 1960s, writer Norton Juster and illustrator Jules Feiffer created The Phantom Tollbooth, which quickly became a kid-lit classic. Now, 50 years later, the two have finally collaborated once more — this time, on a picture book called The Odious Ogre. They speak to NPR's Liane Hansen about their partnership and their new project.

English rose from humble beginnings to become a language that's spoken by people from every corner of the Earth. In Globish, Robert McCrum tells the story of how a mongrel language slowly took the world by storm.

Garden writer Bonnie Blodgett didn't know what her sense of smell meant to her — until she lost it. Her new book, Remembering Smell, describes what it's like to live in the world without being able to smell it — from the sweet aromas of springtime to the stench of sour milk.

Sportswriter Frank Deford's historical novel, Bliss Remembered, tells the story of a young American swimmer at the 1936 Olympics in Berlin. Deford explains why he was drawn to this particular historical setting — and what it's like to write a novel from the perspective of a woman.

It's easy to feel the romance in the musical relationship between Michael Trent and Cary Ann Hearst, who've become musical embodiments of how loving couples make it work.

On her first studio album since 2008, the 74-year-old firebrand's voice remains relevant, full of spit and vinegar and fun.

In 1971, Motown founder Berry Gordy created MoWest, a California label that would last only two years before being dismantled. A new anthology documents this odd and little-known chapter in Motown's history.

Rock critic Ken Tucker says that Beyonce's new album, titled 4, is something of a risk – it's not merely a collection of new songs, but a personal reassessment of the kind of pop star she wants to be.