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  • Chazz Palminteri returns to the stage with the semi-autobiographical tale of his youth titled A Bronx Tale. Palminteri was unemployed when he wrote the one-man show, which debuted in Los Angeles in 1989. Almost 20 years later he brings his show to Broadway.
  • Fresh Air's TV critic speaks with Bryan Fuller (Dead Like Me) and Barry Sonnenfeld (The Tick) about their new comedy-drama Pushing Daisies. The show combines romance, fantasy and mystery — and features a man who can bring the dead back to life with a mere touch. Pushing Daisies premieres Wednesday, Oct. 3, on ABC.
  • Actor/director Peter Berg's most recent project is The Kingdom, a police procedural set in Saudi Arabia. Berg talks about the film, which stars Jamie Foxx and Chris Cooper.
  • All Things Considered film critic Bob Mondello examines Sputnik's impact on the silver screen.
  • Margaret Cho is wll-known for her bawdy stand-up comedy that takes no prisoners on the topics of sexuality and race. But with her new burlesque show, The Sensuous Woman, Cho takes on body image as well. Cho talks with Andrea Seabrook about baring it all onstage.
  • The antiviral infusion was just revived as an early treatment for COVID patients. But the drug is relatively expensive and hard to administer, relegating it to what some are calling "stopgap" status.
  • The Darjeeling Limited, director Wes Anderson's newest film, opened the New York Film Festival this weekend. Jason Schwartzman, who co-wrote the screenplay and plays Jack Whitman, talks about the role India plays in the movie.
  • On the second anniversary of the playwright's death, Michele Norris talks to two actors from the Broadway production of his final play, Radio Golf.
  • Three brothers, privileged but bereft, go looking for themselves on a trek through rural India. Fresh Air's film critic says Anderson manages to sustain a sense of lyric melancholy — though he could use more perspective on his characters' over-entitlement.
  • September 11, AIDS, the Holocaust — the comic and actress Sarah Silverman has repeatedly proved that practically nothing need be off limits in a joke. Take the title of her Off-Broadway show, which later became a film: Jesus Is Magic.
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