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The president says he won't recertify the 2015 nuclear deal, giving Congress the option to reimpose sanctions and rewrite parts of the agreement.

Pakistan's government is building a much-needed 16-mile metro across Lahore to ease traffic. But it passes a little too close for comfort to many of the city's historic buildings.

American consumers will likely go to great lengths to get the iPhone 5, which goes on sale Friday. People are lining up in front of Apple stores. Time is money which explains why some people are paying others to stand in line for them. On man in San Francisco is getting $55 to stand in line for four hours.

Sure, kids have been playing with tops forever. But Beyblades are battling tops, and they come with their own fighting arena. They're a hit, and if you haven't been nagged for one this year, there's still time.

NPR's Ari Shapiro talks with Dr. Helene Gayle, one of the co-chairs of the National Academies' framework for vaccine distribution, about how the coronavirus vaccine can be distributed equitably.

The #MeToo movement has brought a fresh examination of workplace behavior. A new NPR-Ipsos poll found little tolerance for a broad range of behaviors — from gossip to unwanted touching.

Wade Page, who police say killed six people in a Sikh temple on Sunday, had long been on the radar of groups that track white supremacists. But you can't be arrested for hateful thoughts. And observers say finding the real threats has gotten harder for police with the rise of the Internet.

Graphic novelist Emmanuel Guibert follows up his biography of his friend, WWII veteran Alan Cope, with a gentle, eloquent look at Cope's California childhood, perfectly familiar even 75 years later.

While many hoped Barack Obama's presidency would usher in a post-racial period in America, Randall Kennedy says the reality hasn't lived up to that expectation. In The Persistence of the Color Line, Kennedy explores the racial issues still at play in the presidency and throughout the country.

In TRIALS, photographer Andrés Mario de Varona collaborated with Marcia Reifman, a survivor of stage 4 squamous cell carcinoma, to create images that acknowledge the self as a living memorial.