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A new 3-D database offers researchers unprecedented details of the human brain. NPRs Michelle Trudeau visits the laboratory of the human brain atlas project in California.

More than bombs are dropping on Afghanistan. Psychological warfare soldiers are dropping leaflets and broadcasting news and music, hoping to frighten the Taliban and foster civilian support. NPR's David Kestenbaum reports on the military's war of words.

Scott Simon talks to Bennett Alan Weinberg, co-author with Bonnie K. Bealer, of The World of Caffeine: The Science and Culture of the World's Most Popular Drug. He says more than 90 percent of the world's population drinks significant amounts of caffeinated beverages, such as coffee, tea and sodas, on a daily basis, and that the discovery of caffeine was a revolutionary event.

Host Scott Simon talks with NPR's Julie McCarthy in Durban, South Africa, where the United Nations' Conference on Racism wrapped up today.

Hundreds of artworks were destroyed in the attack on the World Trade Center. One man is trying to save what he can.

Host Bob Edwards talks with comedian Bill Cosby about his new book, Cosbyology: Essays and Observations from the Doctor of Comedy.

In the second part of his year-long series on life at Roosevelt High School in Seattle, NPR's Robert Smith looks at the Roughriders' football team and its losing record against better financed, better supported suburban teams.

Beneath the permafrost of northern Alaska, petroleum deposits fuel a political debate revived by the White House and stoked by the events of Sept. 11. Allison Aubery reports.

Susan Stamberg's annual Thanksgiving tradition of reading her mother-in-law's recipe for cranberry relish on the air nearly came to an end this year. But patriotic spirit kept it alive.

Host Noah Adams talks to Eef Barzelay, singer and songwriter for the band Clem Snide. He and his colleagues were contacted by the producers of the NBC television show Ed to write a new theme song. Barzelay talks about three different songs he quickly wrote, plays them for us, and talks about how writing for a group of producers relies on so many unseen forces. He says it was hard to read people's minds, and sometimes what he thought was a perfect verse or chorus was outright rejected by the show.