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  • Brian de Palma is one of cinema's most hypnotic stylists, a virtuoso who can expand your perception of space, time and motion onscreen. So when he throws away his jazzy technique and goes for rough-hewn and immediate — as in Redacted — it's a major statement.
  • Fresh Air's critic at large tells us why he loves the high-fashion challenge, a reality-TV staple now in its fourth season on cable's Bravo channel.
  • The curtain will go up Thursday on most of the Broadway shows that have been closed for 19 days by a stagehands strike. Stagehands and theater producers reached a tentative agreement Wednesday night on the fight, which has kept more than two dozen shows in the dark.
  • Fresh Air's arbiter of things filmic offers his annual year-end movies wrap-up. This time, his Top 10 list has 11 entries, as the number-nine slot features a tie. At the top: Julian Schnabel's The Diving Bell and the Butterfly.
  • The latest experiment in the eclectic career of filmmaker Todd Haynes: I'm Not There, a kind of fantasia on the various public personas of Bob Dylan. Six different actors — including Richard Gere, Heath Ledger and Cate Blanchett — play the famously protean singer.
  • Like the early Coen Brothers films Blood Simple and Miller's Crossing, this thriller is a genre exercise — controlled, precise and exquisite in its imagery as it makes an audience cringe.
  • Set in Texas in the 1980's, the film No Country for Old Men narrates a chase for stolen drug money. It's the latest from brother filmmakers Joel and Ethan Coen, whose films have always had violence as a theme. But this new movie is darker and more violent than ever before.
  • A big-screen adaptation of the blood-soaked Cormac McCarthy novel is the latest from the creators of Fargo, The Big Lebowski, and Barton Fink.
  • Josh Brolin, who plays laconic Llewelyn Moss in the much-praised new Coen Brothers thriller No Country for Old Men, talks about his appetite for surprising characters and working with the filmmaking brothers.
  • Chazz Palminteri returns to the stage with the semi-autobiographical tale of his youth titled A Bronx Tale. Palminteri was unemployed when he wrote the one-man show, which debuted in Los Angeles in 1989. Almost 20 years later he brings his show to Broadway.
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