Lulu Garcia-Navarro

Lulu Garcia-Navarro is the host of Weekend Edition Sunday. She is infamous in the IT department of NPR for losing laptops to bullets, hurricanes, and bomb blasts.

Before joining the Sunday morning team, she served as an NPR correspondent based in Brazil, Israel, Mexico, and Iraq. She was one of the first reporters to enter Libya after the 2011 Arab Spring uprising began and spent months painting a deep and vivid portrait of a country at war. Often at great personal risk, Garcia-Navarro captured history in the making with stunning insight, courage, and humanity.

For her work covering the Arab Spring, Garcia-Navarro was awarded a 2011 George Foster Peabody Award, a Lowell Thomas Award from the Overseas Press Club, an Edward R. Murrow Award from the Corporation for Public Broadcasting, and the Alliance for Women and the Media's Gracie Award for Outstanding Individual Achievement. She contributed to NPR News reporting on Iraq, which was recognized with a 2005 Peabody Award and a 2007 Alfred I. duPont-Columbia University Silver Baton. She has also won awards for her work on migration in Mexico and the Amazon in Brazil.

Since joining Weekend Edition Sunday, Garcia-Navarro and her team have also received a Gracie for their coverage of the #MeToo movement. She's hard at work making sure Weekend Edition brings in the voices of those who will surprise, delight, and move you, wherever they might be found.

Garcia-Navarro got her start in journalism as a freelancer with the BBC World Service and Voice of America. She later became a producer for Associated Press Television News before transitioning to AP Radio. While there, Garcia-Navarro covered post-Sept. 11 events in Afghanistan and developments in Jerusalem. She was posted for the AP to Iraq before the U.S.-led invasion, where she stayed covering the conflict.

Garcia-Navarro holds a Bachelor of Science degree in international relations from Georgetown University and an Master of Arts degree in journalism from City University in London.

Copyright 2019 NPR. To see more, visit https://www.npr.org.

LULU GARCIA-NAVARRO, HOST:

On a hot Maryland summer day, two toddlers play in the wading area of a community pool. Their glee is uncontainable as they dump water-filled plastic pails over each other's heads. A few weeks earlier, these little ones would not come close to the water.

The kids are grown. The house is empty. Otherhood is what comes after motherhood.

The new Netflix film stars Angela Bassett, Patricia Arquette and Felicity Huffman as three best friends whose sons have grown up — all the way up — together. As the three moms celebrate Mother's Day with each other rather than with their kids, they decide that they've had enough.

"Their sons are not connecting with them," Angela Bassett tells NPR. "They're not sending flowers; they're not giving them a call."

These burglars came prepared. They cut a hole through the concrete roof and shimmied down into the warehouse. They disabled the alarms. They escaped with $2 million worth of goods.

The stolen booty: 34,000 pairs of high-end fajas, a Spanx-like undergarment popular in Miami's Hispanic community.

The robbery took place last year and was only made public recently. David Ovalle, a Miami Herald journalist, has been reporting the story from South Florida.

Farai Chideya wanted to become a mother. Five years and $50,000 after she began this quest, Chideya is still childless but has gained a harsh lesson about the ills of America's adoption system.

Three times, Chideya was matched with a child and three times the mother changed her mind.

Coffee poured. Pillow fluffed. E-book loaded. You're ready to begin a delightful afternoon on your e-reader when, poof, the book disappears.

Starting in July, Microsoft will be closing its e-book library and erasing all content purchased through the Microsoft e-bookstore from devices. Consumers will receive a refund for every e-book bought.

Copyright 2019 NPR. To see more, visit https://www.npr.org.

LULU GARCIA-NAVARRO, HOST:

And the last word in music we'll give to Joao Gilberto, the man who helped make famous "The Girl From Ipanema."

(SOUNDBITE OF SONG, "THE GIRL FROM IMPANEMA")

ASTRUD GILBERTO: (Singing) Tall and tan and young and lovely. The girl from Ipanema goes walking. And...

The advice columnist who says President Trump sexually assaulted her in a department store dressing room in the mid-1990s says she is "very glad" she published her accusation, even as the president denied her story on Saturday and claimed he had "no idea who she is."

E. Jean Carroll spoke to NPR's Lulu Garcia-Navarro on Weekend Edition. She reiterated that Trump assaulted her in the '90s.

"It hurt. And it was against my will," she said.

Trump on Saturday doubled down on his denial and claimed that women have been paid to accuse him of wrongdoing.

A new generation of migrants is arriving in Mexico: young adults who were born in Mexico, raised in the United States and are now returning — some voluntarily, some by force — to the country of their birth. They've been dubbed "Generation 1.5."

With only limited support available from the Mexican government for these often well-educated returnees, several nongovernmental organizations and at least one private company are looking to help them out and take advantage of their skills.

When 29-year-old Gilberto Olivas-Bejarano first returned to his birth country of Mexico, he didn't speak the native language.

"I barely speak Spanish now," he says.

He arrived in León alone, and today, nearly two years since his deportation, Olivas-Bejarano has still not seen his parents or siblings in person.

If you've had a manicure lately, chances are you probably had it done at a nail salon run by people of Vietnamese heritage.

The salons are everywhere — in nearly every city, state and strip mall across the United States. So how did Vietnamese entrepreneurs come to dominate the multibillion-dollar nail economy?

Filmmaker Adele Free Pham set out to answer that question in a documentary called Nailed It. Growing up in Portland, Ore., she says, she observed that all the nail salons around her were Vietnamese run.

For Mother's Day this year, indie rock star Lucy Dacus did better than sending flowers or a card.

Already a bold trendsetter on the pop stage, Rihanna is also breaking barriers in the makeup and fashion industries.

The 31-year-old Barbadian singer has partnered with the historic LVMH Moët Hennessy Louis Vuitton fashion house, becoming the first woman of color to have a label under LVMH and the first woman to start an original brand for the world's largest luxury group.

The new label is named Fenty, after the last name of the singer (born Robyn Rihanna Fenty). It's an expansion of her cosmetics empire of the same name, launched in a 2017 partnership with LVMH.

A dolphin swims by at an exhibit at the National Aquarium in Baltimore.

Copyright 2019 NPR. To see more, visit https://www.npr.org.

LULU GARCIA-NAVARRO, HOST:

Copyright 2019 NPR. To see more, visit https://www.npr.org.

(SOUNDBITE OF L7 SONG, "PRETEND WE'RE DEAD")

LULU GARCIA-NAVARRO, HOST:

Copyright 2019 NPR. To see more, visit https://www.npr.org.

LULU GARCIA-NAVARRO, HOST:

And this past week, we finally got the long-anticipated Mueller report, which didn't seem to resolve much of what the country has been divided over for the past two years.

(SOUNDBITE OF MONTAGE)

Copyright 2019 NPR. To see more, visit https://www.npr.org.

LULU GARCIA-NAVARRO, HOST:

It was the morning after the election of America's first black president, and Kwame Onwuachi was hungover. He'd been partying all night. He was dealing drugs to survive after he dropped out of college. He was, he says, lost.

But when he saw President Obama, something clicked. "I thought, I can do anything. And I immediately flushed everything that I had down the toilet and was like, I need to find myself," Onwuachi recalls.

Over the past few years, Miami native Trenise Bryant has seen her neighborhood, the African-American enclave of Liberty City, start to change. Bryant grew up in one of the area's oldest public housing projects, Liberty Square. Lately, rents have gone up, and Bryant has seen people priced out and forced to move away.

One factor driving this, Bryant says, is climate change.

Every week, Jorge needs to earn $364.08. His handwritten budget is taped to the wall of the windowless shed where he lives in Miami. Inside the tiny space, there's barely enough room for a twin bed and a battered dresser; his kitchen consists of a blender and a microwave. There's no running water, and mosquitoes fly in through the open door.

The little that he earns needs to cover more than just his living expenses — Jorge has diabetes and cancer to manage, and he needs to support his five children back home in Ecuador.

If you want healthy plants, some people say you should talk to them. If you want to make delicious cheese, try playing hip-hop music.

That's the finding of a recent experiment by researchers in Switzerland who set out to determine how sound waves might affect the microorganisms that give cheese its flavor.

Copyright 2019 NPR. To see more, visit https://www.npr.org.

LULU GARCIA-NAVARRO, HOST:

On a rainy day this past week, we went to visit a man named Jorge in a working-class neighborhood of Miami wedged between a highway and industrial warehouses. We walk up to the front door of a dilapidated, peach-colored duplex.

Art thieves stole a Flemish masterpiece valued at 3 million euros from a small Italian town church last week. Or so they thought.

To their surprise, the painting they stole was actually a fake. Town leaders and the Carabinieri, Italy's military police, had been tipped off about the planned heist and replaced the original painting, Pieter Brueghel the Younger's The Crucifixion, with a replica.

Out of around 8,500 residents of Castelnuovo Magra in Liguria, only a few knew about the switch.

The musical leg of SXSW 2019 has taken over Austin, Texas, once again and Alt.Latino's Felix Contreras has been standing amidst the food stands, venues and musical equipment cases to check out all the best Latin talent making noise.

"South by Southwest is becoming more important for Latin music every year," Contreras says. "More and more bands from Latin America, Spain and the U.S are coming here. I've been coming for 10 years and I used to be able to see most of the bands I needed. Now, its impossible."

Pages